STEFAN
PRiNS

Joep Christenhusz, NRC Handelsblad, 23/2/2022, p.14-15

Interview by Joep Christenhusz about the upcoming premiere of inhabit_inhibit at Muziekgebouw aan 't Ij, Amsterdam, on 24.2.2022 by ASKO|Schönberg, soloists of Ensemblekollektiv Berlin, cond. Baldur Brönnimann & sound engineer Florian Bogner.

Frank Mulder, De Groene Amsterdammer, 6/1/2022, p.14-15

Essay by Frank Mulder about the upcoming premiere of inhabit_inhibit at Muziekgebouw aan 't Ij, Amsterdam, on 24.2.2022 by ASKO|Schönberg, soloists of Ensemblekollektiv Berlin, cond. Baldur Brönnimann & sound engineer Florian Bogner.

Tobias Schick, Neue Zeitschrift für Musik, 1/2022, p.44-47

Essay and analysis by Tobias Schick of under_current, as performed at Donaueschinger Musiktage, on 15.10.2021 by Yaron Deutsch (electric guitar), Orchestre Philharmonique de Luxembourg, cond. Ilan Volkov.

Annemarie Peeters, Tempo, #76, 2022, p.62-68, Cambridge University Press

Essay by Annemarie Peeters (translated by Thomas Moore) about Nadar's Corona version of FITTINGinSIDE. (For Dutch version, see below)

Anne Holzmüller, in Movement to Sound, Sound to Movement. Interpreting multimedia piano compositions, Ed. Rei Nakamura, Marion Saxer, and Simon Tönies, Wolke Verlag, 2021 (p. 17-31)

Essay about the Piano Hero Cycle, published in a wonderful book that focuses entirely on multimedia piano compositions, edited by Rei Nakamura, Marion Saxer and Simon Tönies. The book also contains my article Interpretative and Performative Approaches to Performing music with integrated video. Case Study: Piano Hero #1, #2, & #4. (p.213-224)

Annemarie Peeters, in RektoVerso,

Annemarie Peeters follows the Nadar Ensemble during the Corona Lockdown and the creation of a new version of my composition FITTINGinSIDE.

Uri Agnon, in Tempo 75 (296), Cambridge University Press, 2021 (p. 57-70)

Thought provoking essay critiquing the "preaching to the choir" argument through the lens of compositions of mine, Sarah Nicolls, Pamela Z and Soosan Lolavar, as well as the author of the article.

Anne Holzmüller, in Nuove Musiche 5, University of Pisa Press, 2018 (p.213-34)

Gianluigi Mattietti, in Anklaenge 2019. Sicherheit - Risiko - Freiheit. Fragen der (Un-)Sicherheit in der Komposition, Aufführung, Rezeption und Programmierung neuer Musik. Wiener Jahrbuch für musikwissenschaft, Hollitzer Verlag, Wien, 2021, p.67-79

Tim Rutherford-Johnson, CD+DVD Booklet for Augmented, April 2019

Essay about my works for the release of the DVD+CD box "Augmented" by Kairos.

Pieter Matthynssens, CD+DVD Booklet for "Augmented", April 2019

Essay about my works for the release of the DVD+CD box "Augmented" by Kairos. (Dutch version on request)

Barbara Eckle, Neue Zeitschrift für Musik, 3/2018, June 2018

Interview with Barbara Eckle about my collaboration with choreographer Daniel Linehan for the Münchener Biennale 2018.

Oscar Escudero, Sul Ponticello, nr. 36, 3/2017

Essay about the digital aesthetical breach, mentioning "Generation Kill", "Mirror Box Extensions" a.o.

Gianluigi Mattietti, Classic Voice, 212, 1/2017

Monika Pasiecznik, Positionen, nr. 107, June 2016

Portrait from the perspective of "virtual reality" in my work.

Joep Christenhusz, De Groene Amsterdammer, 19 May 2016

Article about "Mirror Box Extensions" in the context of the performance of this piece by the Nadar Ensemble at the Holland Festival on June 3rd 2016.

Celeste Oram, Tempo, Cambridge University Press, January 2015

4 case studies from the Darmstadt Summercourse 2014, a.o. "Generation Kill"

Tomasz Biernacki, Dissonance nr. 125, March 2014

Emil Bernhardt, Lydskrit Online, 24 February 2014

Tomasz Biernacki, Glissando 22, October 2013

Monika Pasiecznik, Ruch Muzycny 15, September 2013

Friederike Kenneweg, Musiktexte 135, November 2012

Monika Pasiecznik, World New Music Magazine, October 2012

Matthias Parent & Maarten Quanten, World New Music Magazine, October 2012

Maarten Beirens & Maarten Quanten, World New Music Magazine, October 2012

Harry Lehmann, Dissonanz 117, March 2012